Undertow

Undertow

Original

Inkl. MwSt.

€661.00

Größe: 80 × 80 cm

Undertow emerged from a fascination with what lies beneath calm surfaces, both literally, in water, and emotionally, in the mind. Layers of teal, charcoal, and coral were built up and partially wiped back, letting earlier marks resurface like memories that won’t stay submerged. A faint, almost demonic face took shape unintentionally within the composition, and I chose to let it remain rather than resolve it, embracing the ambiguity of what the viewer projects onto it.

I work in acrylic for its immediacy and the way it allows both control and accident, thin washes against bold gestural strokes mirror the tension between calm and disturbance at the heart of this piece.

I hope viewers sit with a little unease alongside the beauty, a sense of being pulled somewhere unknown, and the unsettling possibility that something within the painting is looking back.

Rolled canvas — shipped unframed

This artwork is supplied as a rolled canvas, carefully packed in a protective tube for safe and more economical delivery.
It is not supplied stretched, framed or ready to hang. After delivery, you will need to arrange for the canvas to be stretched over wooden stretcher bars and/or professionally framed to suit your space.

Versand, Zielland United States: €53.00

  • Ireland: €15.00
  • Übriges Europa: €35.00
  • USA und Kanada: €53.00
  • Australien und Neuseeland: €62.00
  • Rest der Welt: €53.00

Die vollständige Versandrichtlinie lesen

If your order arrives damaged, don’t worry. Just send me a clear photo of the damage, along with the barcode and the packaging, and I’ll arrange a free replacement right away.

Die vollständige Rückgabe- und Erstattungsrichtlinie lesen

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About the Artist

Hello, I’m Lucy, an abstract artist on the west coast of Ireland, tucked between Atlantic weather and fields that never quite sit still. Most days I’m chasing that in‑between feeling, the way light hits a wet road, or how a hedge dissolves into colour when you’re not looking straight at it.

I work mostly in acrylic on canvas, building up thin, transparent layers and scraping parts back so older marks re‑appear. It ends up a bit like a controlled car crash of colour and texture: countryside greens, stormy blues, wildflower pinks, all arguing and then somehow settling down together.

I originally studied graphic, product and furniture design, so composition and form are always in the back of my mind, even when the painting looks wild on the surface. I’m self‑taught as a painter in the practical sense, a lot of quiet trial and error, a lot of “what happens if I do this?” and being willing to live with the mess until it turns into something that feels honest.
About the Artist

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