Harbour Lights
Original
IVA incluido
€661.00
Tamaño: 80 × 80 cm
“Harbour Lights” is an abstract coastal nightscape, where blocks of deep navy and teal meet flashes of neon pink, soft turquoise and warm yellow, like lights skimming across dark water. Rather than describing a specific harbour, the painting catches the sensation of standing at the edge of a bay after dusk, watching reflections stretch and fracture with each small movement of the tide. Loose, vertical passages of colour suggest masts, buildings and shoreline, while softer, horizontal drags of paint read as ripples, piers or moving light. That balance of considered structure and more intuitive, gestural marks keeps the composition hovering between city and sea, order and drift, a controlled chaos with just enough wild edges left visible.
Harbour Lights is an abstract acrylic on canvas 80cm x 80cm, sized to work as a statement piece in a living room, hallway or above a dining table. Signed by artist.
Frame not included.
Shipped flat in a box on stretcher bars ready for framing.
Harbour Lights is an abstract acrylic on canvas 80cm x 80cm, sized to work as a statement piece in a living room, hallway or above a dining table. Signed by artist.
Frame not included.
Shipped flat in a box on stretcher bars ready for framing.
Envío a United States: €77.00
- Ireland: €15.00
- Resto de Europa: €50.00
- Estados Unidos y Canadá: €77.00
- Australia y Nueva Zelanda: €110.00
- Resto del mundo: €77.00
If your order arrives damaged, don’t worry. Just send me a clear photo of the damage, along with the barcode and the packaging, and I’ll arrange a free replacement right away.
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About the Artist
Hello, I’m Lucy, an abstract artist on the west coast of Ireland, tucked between Atlantic weather and fields that never quite sit still. Most days I’m chasing that in‑between feeling, the way light hits a wet road, or how a hedge dissolves into colour when you’re not looking straight at it.
I work mostly in acrylic on canvas, building up thin, transparent layers and scraping parts back so older marks re‑appear. It ends up a bit like a controlled car crash of colour and texture: countryside greens, stormy blues, wildflower pinks, all arguing and then somehow settling down together.
I originally studied graphic, product and furniture design, so composition and form are always in the back of my mind, even when the painting looks wild on the surface. I’m self‑taught as a painter in the practical sense, a lot of quiet trial and error, a lot of “what happens if I do this?” and being willing to live with the mess until it turns into something that feels honest.
I work mostly in acrylic on canvas, building up thin, transparent layers and scraping parts back so older marks re‑appear. It ends up a bit like a controlled car crash of colour and texture: countryside greens, stormy blues, wildflower pinks, all arguing and then somehow settling down together.
I originally studied graphic, product and furniture design, so composition and form are always in the back of my mind, even when the painting looks wild on the surface. I’m self‑taught as a painter in the practical sense, a lot of quiet trial and error, a lot of “what happens if I do this?” and being willing to live with the mess until it turns into something that feels honest.
