Before the Haar
Originale
IVA inclusa
€513.00
Dimensione: 60 × 80 cm
"Before the Haar" captures that liminal moment when a sea fog begins its slow advance inland, the air thickens, shapes lose their edges, and the familiar world becomes something stranger and older. Luminous sky blue and ice white flood the canvas, dissolving form into atmosphere, while deeper cobalt and teal descend through the composition like figures emerging from the mist, or retreating into it.
Flashes of hot pink punctuate the cool palette like distant signals or ancient markings, hinting at something half-remembered, half-imagined. There is a quiet mythology to this painting, the sense that the haar doesn't just obscure the landscape but reveals another layer beneath it, one that has always been there.
Built through layered washes and gestural mark-making, the surface has a translucent quality, light seeming to come from within rather than fall across it.
Acrylic on stretched canvas, 80 x 60cm x 17mm. Finished with satin varnish, signed on the front, and wired ready to hang. (Frame not included)
Flashes of hot pink punctuate the cool palette like distant signals or ancient markings, hinting at something half-remembered, half-imagined. There is a quiet mythology to this painting, the sense that the haar doesn't just obscure the landscape but reveals another layer beneath it, one that has always been there.
Built through layered washes and gestural mark-making, the surface has a translucent quality, light seeming to come from within rather than fall across it.
Acrylic on stretched canvas, 80 x 60cm x 17mm. Finished with satin varnish, signed on the front, and wired ready to hang. (Frame not included)
Spedizione, destinazione United States: €53.00
- Ireland: €15.00
- Resto d'Europa: €35.00
- Stati Uniti e Canada: €53.00
- Australia e Nuova Zelanda: €62.00
- Resto del mondo: €53.00
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About the Artist
Hello, I’m Lucy, an abstract artist on the west coast of Ireland, tucked between Atlantic weather and fields that never quite sit still. Most days I’m chasing that in‑between feeling, the way light hits a wet road, or how a hedge dissolves into colour when you’re not looking straight at it.
I work mostly in acrylic on canvas, building up thin, transparent layers and scraping parts back so older marks re‑appear. It ends up a bit like a controlled car crash of colour and texture: countryside greens, stormy blues, wildflower pinks, all arguing and then somehow settling down together.
I originally studied graphic, product and furniture design, so composition and form are always in the back of my mind, even when the painting looks wild on the surface. I’m self‑taught as a painter in the practical sense, a lot of quiet trial and error, a lot of “what happens if I do this?” and being willing to live with the mess until it turns into something that feels honest.
I work mostly in acrylic on canvas, building up thin, transparent layers and scraping parts back so older marks re‑appear. It ends up a bit like a controlled car crash of colour and texture: countryside greens, stormy blues, wildflower pinks, all arguing and then somehow settling down together.
I originally studied graphic, product and furniture design, so composition and form are always in the back of my mind, even when the painting looks wild on the surface. I’m self‑taught as a painter in the practical sense, a lot of quiet trial and error, a lot of “what happens if I do this?” and being willing to live with the mess until it turns into something that feels honest.
